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DEEP RIMMING IN POPLAR by Tim Fountain |
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| Reg has lived with Terry for 20 years in the same housing association flat in Notting Hill. Terry’s a butcher with a passion for genealogy, Reg is a pub drag act with a love of gardening. But when Reg meets the hot + eager 21 year-old Carl their world is thrown upside down. |
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THE WHITE GARDEN by Adrienne Perry |
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| In 1921, Vita Sackville-West + Violet Trefusis had an lesbian affair that rocked Edwardian society. To dispel further scandal, Violet left for Paris, + Vita threw herself into a life as a novelist, gardener + diplomat's wife. She also wrote a nasty little book, which implied Violet had betrayed her. |
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PUBLIC PROPERTY by Sam Peter Jackson |
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| When popular news anchor Geoffrey Hammond is caught by photographers in a rather compromising position, he is forced to come crawling back to his recently-fired publicist Larry to spin him out of what seems like an impossible situation. |
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12 by Alex Broun |
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| Cullum has lost everything – his job, his friends, his family, even his sanity + now he finds himself lying on the floor of a no-star hotel sucking cheap vodka out of the disease ridden carpet. Over him stands his long-suffering wife Michelle, who can bear to watch no more. |
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COURTING MAE WEST by LindaAnn Loschiavo |
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| She was the queen of innuendo, the original Madonna, with mouthfuls of witty sass! Mae West was the first true sex symbol who, with her razor sharp tongue + challenging stage shows, arrived with the force of a hurricane. |
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BONNIE & CLYDE by Adam Peck |
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| Crossing the state boarder in a stolen Ford V-8 with a trunk full of sawn-off shotguns + bootleg whiskey, Bonnie & Clyde have found one last place to hide. Time is ticking – they’re on the run from the law + from reality, but which one will catch them first? |
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ALL THAT I WILL EVER BE by Alan Ball |
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| Creator of HBO’s Emmy Award-winning True Blood, Six Feet Under + the Oscar winning screenwriter of American Beauty, Alan Ball’s play is a darkly funny tale of cultural provocation + our eternal search for belonging as seen through the relationship of two young gay men in contemporary Los Angeles. |
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ORPHANS by Duncan Graham |
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| Alceste has called her husband + his friend back to the house. She’s meant to be there but she’s supposedly upstairs sleeping. Why has she called everyone? |
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TAKEN IN by John W. Lowell |
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| After a string of failed relationships have left him crushed, the otherwise conservative Marc finds himself crawling through the late night cruising spots of the city's boy hustlers. |