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Sunset Boulevard @ CLOC Musical Theatre
May 5 – May 19, 2012
National Theatre, St. Kilda
CLOC Musical Theatre

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25th December 2011
TheatreLink would like to wish all our members and visitors a great festive season, and a very safe New Year!
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Strathmore Theatrical Arts Group

No drama group existed in the local Strathmore area at the time S.T.A.G., an unsubsidised amateur theatre company, was formed in 1955. The inaugural first meeting of twelve members was held in the home of Mary & Ron Little of Bruce St - two members of which (Ivy Walker & Mary Little) remain actively involved. The site of its initial productions (And This Was Odd, Poison Pen & Here We Come Gathering) was at the St. John's Presbyterian Church Hall in Essendon, until the permanent purpose-built facility was organised through the Strathmore Community Association. STAG's aim - then as it is now - is to bring together people of similar interests & to provide a true community theatre where members can share their talents & abilities in diverse fields of performance. Over the years we have continued to present quality productions for the enjoyment of all & thank our patrons, audiences, players & crew for their ongoing support & dedication. We look forward to seeing you at our next show! Gail Armstrong (President)

Web Site : http://www.stagtheatre.org
Email Address : stag_publicity@optusnet.com.au

Shows & Events

Noel Coward's Present Laughter
In Present Laughter we are given a glimpse into the private life of the lovable Garry Essendine, an enduring star of the stage. He has captivated audiences for two decades, and in the following ten days he is preparing to go to Africa, touring with a repertoire of six plays. He has reached a delicate age when his confidence is being shaken a little by advancing years but his ego is maintaining its grip on his colleagues and friends. How Garry manages to balance his life with his amours, his colleagues, his estranged wife, his household and a dizzy young playwright will fill your evening with great enjoyment.

Auditions

A Midsummer Night's Dream
The Duke of Athens & the Queen of the Amazons are to marry. A pair of lovers decide to elope, who are pursued by their erstwhile partners. In the night time forest they are bewitched and beguiled by the faerie folk. At the same time a troupe of amateur actors gather to rehearse for the Dukes wedding celebration, they too encounter the faerie folk with especially disastrous results for one of their party. The lovers and actors are not helped by being unwitting pawns in a marital dispute within the world of faerie. This all ends with love and laughter. This is one of Shakespeares greatest comedies. With some of most vibrant characters & lyrical imagery in literature it is a true challenge for a cast and crew to do justice to it. Dealing with an overall theme of love with a variety of humour and poignancy it is also one of the most accessible of Shakespeares plays proved by its endurance & popularity over the last four hundred years. It has a richness of language & the humour is both highbrow and lowbrow. It is a story that both mocks and celebrates love. These are the themes that I wish to celebrate. I picture the Athenian Court as late 18th Century/early 19th Century Regency style, but with a modern flourish (ie 1920's). Dressed as fops and ‘pretty young things’ with exaggerated mannerisms (but not too exaggerated!) they will contrast with the world of Faerie. The faerie folk will be seen as using Pre-History Celtic & Pictish motifs, the men in brigga and torcs, the women similar, all with pictish & celtic motif body art. Characters. (With ages, they are a guide only. I welcome auditions from women for a variety of the roles.) Members of the Athenian Court: Theseus, Duke of Athens: male, age range 30-50. A gracious Leader. (may be doubled with Oberon) Hippolyta, Queen of the Amazons, age range 30-50. Another gracious Leader (may be doubled with Titania) Egeus – Father of Hermia (male 40-60)– A harsh man, believer in the word of the law. Philostrate – Master of Revels (male/female 40+)– a public servant who has seen it all. (small role – may be doubled with a faerie) The Young Lovers: Lysander – a young noble courtier (age range 18-25) – passionately in love. Earnest, young..nice but a bit dim. Demetrius – a young noble courtier (age range 18-25) – passionately in love. Earnest, young..nice but a bit dim. Hermia – a young noble courtier (age range 18-25) – very much in love. Helena – a young noble courtier (age range 18-25) – very much in love. A bit nerdier than Hermia & will need to be slightly taller than Hermia. These young lovers do have their own individuality however as a rough character archtype then think the public perception of Paris Hilton meeting Lord Bryon (they have some of the best lyrical & passionate language in the play.) Faerie: Oberon – King of the Faeries (male – 30-50 – atheletic build.). Physically powerful & passionate. Titania – Queen of the Faeries (female – 30-50) Passionate & regal. Puck or Robin Goodfellow – Oberon's sidekick. (male/female – 25-35) Sly, cynical, sarcastic, slightly put upon, glorious Faerie with attitude. Cobweb/Peaseblossom/Moth/Mustardseed -| Faeries in Titanias service (female/male – 18+, to be doubled as courtiers) Earthy, The Mechanicals: Peter Quince – (female/male 30-50) Director of the Mechanicals, but his/her dayjob is a Carpenter. Like all the Mechanicals has more enthusiasm than talent. Unlike the rest, is slightly more aware of this, but only slightly Nick Bottom – The lead actor of the Mechanicals – (male/female 30-40) - Believes in his talent. Full of confidence and believes he knows more than he actually does. Earnest. Unaware of his failings. A little bombastic perhaps? Francis Flute – Will play Thisbe (a female role) in their Play. (male/female youngest of the Mechanicals) Tom Snout – Plays Wall, a tremendous achievement. (male/female any age, preferably tall) Robin Starveling – Plays Moonshine, possibly drunk. (male/female any age) Snug – Plays a Lion, with great care not to be frightening. (male/female any age)


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